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Jean-Auguste Dominique Ingres
Portrait of Jili
mk227
107x86cm
1821
Oil on canvas
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Jean-Auguste Dominique Ingres
Mrs. Yake
mk227
Oil on canvas
119.4x92.7cm
1823
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Jean-Auguste Dominique Ingres
Man
mk227
Oil on canvas
96.5x78.5cm
1811
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Jean-Auguste Dominique Ingres
Lady of Henli
mk227
73x62cm
1845-1852
Oil on canvas
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Jean-Auguste Dominique Ingres
Davi
mk227
Oil on canvas
103x83.5cm
1826
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Jean-Auguste Dominique Ingres
Portrait of Bier
mk227
116x95cm
1832
Oil on canvas
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Jean-Auguste Dominique Ingres
Portrait of Bier in detail
mk227
Oil on canvas
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Jean-Auguste Dominique Ingres
Lady of Fulideli
mk227
Oil on canvas
60x47cm
1846
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Jean-Auguste Dominique Ingres
Portrait of woman
mk227
59x49cm
Oil on canvas
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Jean-Auguste Dominique Ingres
Portrait of old man
mk227
oil on canvas
105.1x94cm
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Jean-Auguste Dominique Ingres
Portrait of Derfina
mk227
Oil on canvas
63x50cm
1859
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Jean-Auguste Dominique Ingres
Goddess
mk227
oil on canvas
1854cm
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Jean-Auguste Dominique Ingres
Zhulute and Xitixi
mk227
Oil on canvas
1811
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Jean-Auguste Dominique Ingres
Portrait of Ausongwi
mk227
Oil on canvas
136x32cm
1845
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Jean-Auguste Dominique Ingres
Portrait of Bedi
mk227
Oil on canvas
141.8x101.5cm
1848
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Jean-Auguste Dominique Ingres
Yileyatei
mk227
Oil on canvas
1855
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Jean-Auguste Dominique Ingres
Portrait of Yase
mk227
Oil on canvas
56x46cm
1805
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Jean-Auguste Dominique Ingres
Portrait of Lolun
mk227
Oil on canvas
98x80cm
1805
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Jean-Auguste Dominique Ingres
Study of Princess
mk227
oil on canvas
121.3x90.8cm
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Jean-Auguste Dominique Ingres
Study of Princess in detail
mk227
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| Jean-Auguste Dominique Ingres
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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